Russian ministry of culture (MinCult) has proposed amendments to the Russian law on “State support of Russian cinematography”. These amendments reflect the idea to protect Russian cinema market from Hollywood’s “occupation” and to provide more opportunities in internal Russian marketplace for movies produced in Russia.
Comments closedCategory: Distribution
Video-on-demand services have the potential to play a decisive role in the dissemination of audiovisual works across the European Union. However, the availability of those works, in particular European works, on video-on-demand services remains limited. Agreements on the online exploitation of such works may be difficult to conclude due to issues related to the licensing of rights.
Comments closedOne battle rap Oxxxymiron vs Slava KPSS has become very prominent in Russian internet. Perhaps, because Many Russian mass media, including federal media, have made reports about it. The battle has been viewed more than 10 million times in first couple days. How Roskomnadzor is involved?
Comments closedRussian Association uniting participants of art-industry marketplace (AURA) and National union of folk art-craft (NSHP) have proposed to Russian ministry of trade (MinTorg) to register graphical elements, typical to Russian folk craft, as trademarks. These two professional organisations along with MinTorg consider and discuss opportunity to protect traditional Russian pattern in Russian marketplace.
Comments closedFew weeks ago in Russia it was adopted the law on audio-visual services operating in Russia. In order to implement and execute the new law Russian Roskomnadzor has drafted and adopted the rules defining what an audio-visual service is, where mainly the users upload their videos. Roskomnadzor has defined the procedure and criterions.
Comments closedThrough the principle of contractual freedom it will be possible to continue limiting the exploitation of the rights affected by the principle of country of origin laid down in this Regulation, especially as far as certain technical means of transmission or certain language versions are concerned, provided that any such limitations of the exploitation of those rights are in compliance with Union law.
Comments closedPersons who are blind, visually impaired or otherwise print disabled continue to face many barriers in accessing books and other print material which are protected by copyright and related rights. Taking into consideration the social interests of granting such persons the right of access to information and the right to participate in cultural, economic and social life, on an equal basis with others, measures need to be taken to increase the availability of those works in accessible formats and to improve their circulation in the internal market, within the conditions set forth in this Directive, in order to ensure access to knowledge and information.
Comments closedRussian Ministry of Culture (MinCult) proposed to develop a mechanism protecting national movies and preventing their illegal distribution in Internet. Sounds like a call. So, there is no legal proposal in the form of draft law. There is no draft law, but initiative is presented as legal proposal on portal of legal acts. It is not the first idea of MinCult to restrict access to pirate content in Internet without court’s participation.
Comments closedRumble operates an open video platform that sources, validates, provides clearance management, distribution and monetization for video content. It is a content-creator-centric platform, whose main goal and core business model has always been to help video creators increase distribution and monetize their videos. Rumble allows video creators to host, share, monetize and distribute their video content from one centralized account.
Comments closedThe ancillary online services covered by this Regulation (official document) are those services offered by broadcasting organisations which have a clear and subordinate relationship to the broadcast. They include services giving access to television and radio programmes in a linear manner simultaneously to the broadcast and services giving access, within a defined time period after the broadcast, to television and radio programmes which have been previously broadcast by the broadcasting organisation (so-called catch-up services).
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